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This 1917 work is a composition of great originality. A still life is framed by a gray plaque, as if it were presented in a niche. Gris plays with textures, using a pointillist technique to create a sand-like effect. The color palette is dominated by greens and browns. It is a work that questions the nature of representation and the frame. The frame, usually external to the work, here becomes a central element of the composition. A reflection on art and its limits, of great intellectual richness.
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