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This 1916 portrait of his wife, Josette, is a masterful example of Synthetic Cubism. The face and bust are broken down into large geometric planes, yet the whole retains a remarkable elegance and presence. The palette is sober, dominated by grays, blacks, and whites, with a touch of brown for the hair. Gris manages to capture the personality of his model, her quiet strength and modernity, through a radical pictorial language. It is an intimate and powerful tribute to his muse.
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