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Painted in 1890, this portrait of art critic Félix Fénéon is an icon of Neo-Impressionism. Titled “Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints”, it depicts Fénéon in profile, holding a cyclamen, against a psychedelic abstract background of colorful patterns. It is a manifesto work combining realistic portraiture and ornamental abstraction.
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