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This 1912 portrait is an example of analytical cubism. The face of Germaine Raynal is broken down into a multitude of facets, as if seen through a prism. The composition is a complex play of intersecting lines and planes. The color palette is sober, dominated by browns, grays, and ochres. It is a work of great intensity, which seeks to capture not only the appearance, but also the personality of the model. A vision of the human figure that revolutionized the art of the portrait.
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