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This 1916 portrait is a work of great sobriety and strength. The woman is depicted in a monumental way, her silhouette standing out against a dark background. The shapes are simplified, reduced to geometric planes, but the whole retains a human presence and dignity. The color palette is limited to blacks, whites, and browns, which highlights the subtle play of light and shadow. The mandolin is barely sketched, blending into the woman’s dress. It is a portrait that combines the intellectual rigor of cubism with a deep sensitivity.
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